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In Tamil cinema, to reach the top and get mass base as a star, one has to do an action hero role. And the most preferred role is that of an honest no-nonsense cop who takes on the baddies. Sivakarthikeyan who made a smooth transition from television anchor to popular cinema as man with funny […]
Cable Sankar, a film critic who is also known for his writings on cinema business, makes his foray into the industry as a director in Thottal Thodarum, produced by Thoovar Chandrashekar.
Climax is what makes or breaks a movie ! The satisfaction from a climax directly depends on the process it puts the subjects through. The more difficult the process, the more fruitful is the level of satisfaction from the climax. SJ Suryah draws courage from the new wave cinema in Tamil and comes with an […]
Sundar C’s Aambala has this election campaign sequence, in which the hero asks the leader of the party he supports, to throw a question to public, addressing a Ramasamy, asking about his welfare and also his coconut tree’s well-being.
Well begun is half done! Allu Aravind’s Geetha Arts returns and joins hand with KE Gnanavelraja’s Studio Green to introduce composer GV Prakash Kumar as the lead actor in debutant Sam Anton’s ‘Darling’ and the youngsters have begun well, indeed!
Love, Revenge: Vintage wine in new bottle: The last time Shankar embraced romance would have been “Kadhalan”, is that right? Well, strike that!
If somebody can emotionally validate the incoming of a ghost, that will be director Mysskin for you. Pisaasu is a horror film as promoted, but with a novel touch. The director once again proves he is gutsy and audacious to encounter the Pisaasu from the very first frame. If the intent of a film is […]
Vanmam (Vengeance) is overtly a revenge story as the title suggests. Director Jai Krishna has set the whole scene up in Nagercoil, where he has carefully carved out the very nativity of the soil. But, does the movie live up to our expectations?
At a time when the same old beaten to death themes invade the screens week after week, here is Kaadu directed by debutant Stalin Ramalingam that stands out for its earnest concern for our dwindling natural resources especially forests and for recording the plight of people who are dependent on the woodlands.
For all those uninitiated populace, the name Appuchi Gramam may sound a little odd especially the Appuchi part, making one wonder if it’s a children’s film. But, on the contrary, the milieu is something different from the usual.
Debutant director Caarthick Raju’s Thirudan Police is a nice fun ride. It is well written comedy entertainer which also has a strong emotional story about the bonding between a father and son. And also an entertaining hide and seek thriller featuring a cop with a vengeance.
Although this Arjun directorial is advertised as the sequel of the much popular Jai Hind of 1994, the current story has no connection with its predecessor but for sharing the basic fulcrum which is the love for nation that the Action King is quite famous for.
Prolific director Kannan is back with his own script, Oru Oorla Rendu Raja (OORR). As the title says, two goodhearted men are the lead players with the comedian (Soori) in fact taking center-stage. When the two men are aimlessly travelling on a train journey, they encounter a beautiful and purposeful young woman (Priya Anand), and […]
Loud and fierce men, flying SUVs and shimmering billhooks are a package that comes with all the movies of Hari and he himself has always been confirming that this is indeed his style.
After Thuppakki, Vijay and AR Murugadoss have come together with sky high expectations from fans and critics. Kaththi is about Jeevanandam and Kathiresan, both enacted by Vijay in a dual role. The movie is a case of mistaken identity embroils an escaped convict in a fight against a large corporation intent on seizing a village’s land.